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BAD ASS MICKEY 2 by Jaman Art

SEE IN INTERIOR
About the product

The picture "Bad Ass Mickey 2" relies on the first painting from the “Bad Ass Mickey” cycle and it is, in a way, an expanded version of that artwork. It depicts, in a humorous way, the situation in which we have found ourselves in 2020.
Here, Mickey is confronted by a benevolent bear sitting on trash cans. The bear’s arm is in a cast, he’s got a Band-Aid on his head and he is protesting by carrying a banner that reads: "Now you've pissed off Teddy Bear!!!" 
On the other hand, Mickey is happy and he’s smiling with sharp colorful teeth. He is bathed in the glitter of crystals and banknotes. 
The contrast is further accentuated with graffiti-strewn bricks, an old worn-out bicycle and, as we have already pointed out, the benign and injured teddy bear who sits on trash bins while on the other side we have the shiny, smiling and dazzling Mickey.
To put an additional accent on Mickey, Swarovski crystals were used – 10,000 of crystals were implemented on the hand, teeth, pants and shoes.
Banknotes have been specially designed and made for this painting. In addition to being painted on the artwork itself, the banknotes also come in paper form.
The painting comes in 2 versions – with two different frames. There is an ornamental neo baroque frame in black and its counterpart in gold. You can easily switch from one frame to another. Both frames present strong contrasts to the atmosphere of the painting. Furthermore, they significantly contribute to the message that is to be conveyed and thus become an inseparable part of the painting itself.

About the artist

Danijel Jaman (Split, 1975) is a contemporary Croatian artist and the founder of an artistic direction he calls “New Pop Art.” He graduated from the Academy of Arts in Split, where he received the Dean’s Award as one of the most distinguished students of his generation.

His work is recognizable for its strong visual energy, vibrant colors and a distinctive approach to pop art. Key characteristics of Jaman’s style include:

  1. Bold, saturated colors, strong contrasts, and wide chromatic ranges.

  2. Almost all paintings are painted over the frame, creating an additional 3D illusion in space.

  3. The banana motif as the artist's signature — a symbolic self-portrait that introduces humor, irony, and a critical perspective on the main theme of the painting.

Jaman combines traditional painting with real three-dimensional objects, integrating them into the composition. His works include elements such as license plates, vinyl records, paintbrushes, chess pieces, telephones, mobile phones, coins and Swarovski crystals.

In the series “New York,” “Charlie,” “I Love You Too,” and “Bang Bang,” he advanced his experimentation by incorporating LED lighting, creating new color gradations, depth, and dynamic interaction with space.

In his most recent body of work, Jaman returns to his roots by transforming graffiti art and street culture. Graffiti becomes the background layer, while the foreground narrative — filled with humor and irony — reveals raw human drives such as ambition, greed, and obsession with success. Works such as “Ice Cream Billionaires,” “Flamingo Love,” “Bad Ass Mickey,” and “All the President’s People” are prime examples of this evolution.

In this latest cycle, Jaman further enhances the compositions by introducing fluorescent pigments combined with UV lighting. This gives the graffiti background a 3D character and rich texture, while the colors become vivid, vibrant, and dynamic, making the painting appear almost as a living object within the space.

Jaman’s artworks invite viewers to play, smile, and rediscover the joy of color, while simultaneously encouraging reflection on fundamental human values.

Because of his distinctive aesthetic, his works have become an inspiration in interior design and are part of numerous private collections worldwide.

BAD ASS MICKEY 2 by Jaman Art

SEE IN INTERIOR
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About the product

The picture "Bad Ass Mickey 2" relies on the first painting from the “Bad Ass Mickey” cycle and it is, in a way, an expanded version of that artwork. It depicts, in a humorous way, the situation in which we have found ourselves in 2020.
Here, Mickey is confronted by a benevolent bear sitting on trash cans. The bear’s arm is in a cast, he’s got a Band-Aid on his head and he is protesting by carrying a banner that reads: "Now you've pissed off Teddy Bear!!!" 
On the other hand, Mickey is happy and he’s smiling with sharp colorful teeth. He is bathed in the glitter of crystals and banknotes. 
The contrast is further accentuated with graffiti-strewn bricks, an old worn-out bicycle and, as we have already pointed out, the benign and injured teddy bear who sits on trash bins while on the other side we have the shiny, smiling and dazzling Mickey.
To put an additional accent on Mickey, Swarovski crystals were used – 10,000 of crystals were implemented on the hand, teeth, pants and shoes.
Banknotes have been specially designed and made for this painting. In addition to being painted on the artwork itself, the banknotes also come in paper form.
The painting comes in 2 versions – with two different frames. There is an ornamental neo baroque frame in black and its counterpart in gold. You can easily switch from one frame to another. Both frames present strong contrasts to the atmosphere of the painting. Furthermore, they significantly contribute to the message that is to be conveyed and thus become an inseparable part of the painting itself.

About the artist

Danijel Jaman (Split, 1975) is a contemporary Croatian artist and the founder of an artistic direction he calls “New Pop Art.” He graduated from the Academy of Arts in Split, where he received the Dean’s Award as one of the most distinguished students of his generation.

His work is recognizable for its strong visual energy, vibrant colors and a distinctive approach to pop art. Key characteristics of Jaman’s style include:

  1. Bold, saturated colors, strong contrasts, and wide chromatic ranges.

  2. Almost all paintings are painted over the frame, creating an additional 3D illusion in space.

  3. The banana motif as the artist's signature — a symbolic self-portrait that introduces humor, irony, and a critical perspective on the main theme of the painting.

Jaman combines traditional painting with real three-dimensional objects, integrating them into the composition. His works include elements such as license plates, vinyl records, paintbrushes, chess pieces, telephones, mobile phones, coins and Swarovski crystals.

In the series “New York,” “Charlie,” “I Love You Too,” and “Bang Bang,” he advanced his experimentation by incorporating LED lighting, creating new color gradations, depth, and dynamic interaction with space.

In his most recent body of work, Jaman returns to his roots by transforming graffiti art and street culture. Graffiti becomes the background layer, while the foreground narrative — filled with humor and irony — reveals raw human drives such as ambition, greed, and obsession with success. Works such as “Ice Cream Billionaires,” “Flamingo Love,” “Bad Ass Mickey,” and “All the President’s People” are prime examples of this evolution.

In this latest cycle, Jaman further enhances the compositions by introducing fluorescent pigments combined with UV lighting. This gives the graffiti background a 3D character and rich texture, while the colors become vivid, vibrant, and dynamic, making the painting appear almost as a living object within the space.

Jaman’s artworks invite viewers to play, smile, and rediscover the joy of color, while simultaneously encouraging reflection on fundamental human values.

Because of his distinctive aesthetic, his works have become an inspiration in interior design and are part of numerous private collections worldwide.

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