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I LOVE YOU TOO by Jaman art

SEE IN INTERIOR
About the product

The painting “I love you too” represents the way we all live today. The protagonists of the painting, the girl in the train and the astronaut, are taking selfies emphasizing in this way the moment of stopping and documenting the time as well as the need of sharing this with everybody by putting the photo on the social network and then just disappearing in the fast train as at the painting.
Another perspective is shown by the second scene of the film strip where you can see the soldiers standing on the colorful cushiness and holding, together with the banana, a flag with the heart which symbolizes different relationships such as love and war.
In the next scene of the film strip you can see Superman but without his superpowers, reduced to the level of a normal human being who is trying to row on the road while losing his infantile toys among which even his Batman life- belt.
The counterpoint of Superman, in the third perspective of the colorful railways, we can see a completely “normal” man who really works at the railway station in Oslo and in this painting he becomes extremely important almost having the superpowers.
The butterflies “flying” over the central composition of the painting explain different relationships and quests of a human life. A red led - lamp is installed behind every butterfly highlighting in this way the red coloring of the painting’s background.
Through the back window of the train, we can see Tweety holding a heart-shaped balloon with the message “I love you too” which is the very name of the painting.

 

About the artist

Danijel Jaman (Split, 1975) is a contemporary Croatian artist and the founder of an artistic direction he calls “New Pop Art.” He graduated from the Academy of Arts in Split, where he received the Dean’s Award as one of the most distinguished students of his generation.

His work is recognizable for its strong visual energy, vibrant colors and a distinctive approach to pop art. Key characteristics of Jaman’s style include:

  1. Bold, saturated colors, strong contrasts, and wide chromatic ranges.

  2. Almost all paintings are painted over the frame, creating an additional 3D illusion in space.

  3. The banana motif as the artist's signature — a symbolic self-portrait that introduces humor, irony, and a critical perspective on the main theme of the painting.

Jaman combines traditional painting with real three-dimensional objects, integrating them into the composition. His works include elements such as license plates, vinyl records, paintbrushes, chess pieces, telephones, mobile phones, coins and Swarovski crystals.

In the series “New York,” “Charlie,” “I Love You Too,” and “Bang Bang,” he advanced his experimentation by incorporating LED lighting, creating new color gradations, depth, and dynamic interaction with space.

In his most recent body of work, Jaman returns to his roots by transforming graffiti art and street culture. Graffiti becomes the background layer, while the foreground narrative — filled with humor and irony — reveals raw human drives such as ambition, greed, and obsession with success. Works such as “Ice Cream Billionaires,” “Flamingo Love,” “Bad Ass Mickey,” and “All the President’s People” are prime examples of this evolution.

In this latest cycle, Jaman further enhances the compositions by introducing fluorescent pigments combined with UV lighting. This gives the graffiti background a 3D character and rich texture, while the colors become vivid, vibrant, and dynamic, making the painting appear almost as a living object within the space.

Jaman’s artworks invite viewers to play, smile, and rediscover the joy of color, while simultaneously encouraging reflection on fundamental human values.

Because of his distinctive aesthetic, his works have become an inspiration in interior design and are part of numerous private collections worldwide.

I LOVE YOU TOO by Jaman art

SEE IN INTERIOR
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About the product

The painting “I love you too” represents the way we all live today. The protagonists of the painting, the girl in the train and the astronaut, are taking selfies emphasizing in this way the moment of stopping and documenting the time as well as the need of sharing this with everybody by putting the photo on the social network and then just disappearing in the fast train as at the painting.
Another perspective is shown by the second scene of the film strip where you can see the soldiers standing on the colorful cushiness and holding, together with the banana, a flag with the heart which symbolizes different relationships such as love and war.
In the next scene of the film strip you can see Superman but without his superpowers, reduced to the level of a normal human being who is trying to row on the road while losing his infantile toys among which even his Batman life- belt.
The counterpoint of Superman, in the third perspective of the colorful railways, we can see a completely “normal” man who really works at the railway station in Oslo and in this painting he becomes extremely important almost having the superpowers.
The butterflies “flying” over the central composition of the painting explain different relationships and quests of a human life. A red led - lamp is installed behind every butterfly highlighting in this way the red coloring of the painting’s background.
Through the back window of the train, we can see Tweety holding a heart-shaped balloon with the message “I love you too” which is the very name of the painting.

 

About the artist

Danijel Jaman (Split, 1975) is a contemporary Croatian artist and the founder of an artistic direction he calls “New Pop Art.” He graduated from the Academy of Arts in Split, where he received the Dean’s Award as one of the most distinguished students of his generation.

His work is recognizable for its strong visual energy, vibrant colors and a distinctive approach to pop art. Key characteristics of Jaman’s style include:

  1. Bold, saturated colors, strong contrasts, and wide chromatic ranges.

  2. Almost all paintings are painted over the frame, creating an additional 3D illusion in space.

  3. The banana motif as the artist's signature — a symbolic self-portrait that introduces humor, irony, and a critical perspective on the main theme of the painting.

Jaman combines traditional painting with real three-dimensional objects, integrating them into the composition. His works include elements such as license plates, vinyl records, paintbrushes, chess pieces, telephones, mobile phones, coins and Swarovski crystals.

In the series “New York,” “Charlie,” “I Love You Too,” and “Bang Bang,” he advanced his experimentation by incorporating LED lighting, creating new color gradations, depth, and dynamic interaction with space.

In his most recent body of work, Jaman returns to his roots by transforming graffiti art and street culture. Graffiti becomes the background layer, while the foreground narrative — filled with humor and irony — reveals raw human drives such as ambition, greed, and obsession with success. Works such as “Ice Cream Billionaires,” “Flamingo Love,” “Bad Ass Mickey,” and “All the President’s People” are prime examples of this evolution.

In this latest cycle, Jaman further enhances the compositions by introducing fluorescent pigments combined with UV lighting. This gives the graffiti background a 3D character and rich texture, while the colors become vivid, vibrant, and dynamic, making the painting appear almost as a living object within the space.

Jaman’s artworks invite viewers to play, smile, and rediscover the joy of color, while simultaneously encouraging reflection on fundamental human values.

Because of his distinctive aesthetic, his works have become an inspiration in interior design and are part of numerous private collections worldwide.

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