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CANDY QUEEN by Jaman art

About the product

The painting is divided into several parallel stories. Firstly, there is an admiral standing on a globe. He has travelled the world and now he is coming home to his Queen – bringing candies as a gift. At some point, his suitcase opens and candies start flying all over the painting. The admiral is also holding a balloon with a heart on it and a phrase mind the gap – which symbolizes both caution and love at the same time. In the central part of the painting, there is a tube train. From the text on its wagon and the tube station sign, we can conclude that the train goes straight to Paradise. Though there are many wagons, only one door is open and all of the passengers are trying to get in because they know that the door will close soon and the train will continue its journey to paradise. There is a biblical symbolism here – the scene represents believers’ desire to enter the doors of paradise and, at the same time, their awareness of the fact that these doors are narrow and small. Beyond the tube train, there is a girl on a swing wearing a helmet of a London police officer – she is a symbol of a guardian angel. The background of all the stories is a map of the London Underground. There are also six three-dimensional objects which are an essential part of the composition: a globe, a necklace, gems on the crown, a lollipop, a rope holding the balloon, chains of the swing.

THE PAINTING HAS BEEN PAINTED OVER THE FRAME                 

EXTRA MATERIALS USED TO CREATE THE WORK: a globe, gems on the crown, a lollipop, a rope holding the balloon, chains of the swing.

About the artist

Danijel Jaman (Split, 1975) is a contemporary Croatian artist and the founder of an artistic direction he calls “New Pop Art.” He graduated from the Academy of Arts in Split, where he received the Dean’s Award as one of the most distinguished students of his generation.

His work is recognizable for its strong visual energy, vibrant colors and a distinctive approach to pop art. Key characteristics of Jaman’s style include:

  1. Bold, saturated colors, strong contrasts, and wide chromatic ranges.

  2. Almost all paintings are painted over the frame, creating an additional 3D illusion in space.

  3. The banana motif as the artist's signature — a symbolic self-portrait that introduces humor, irony, and a critical perspective on the main theme of the painting.

Jaman combines traditional painting with real three-dimensional objects, integrating them into the composition. His works include elements such as license plates, vinyl records, paintbrushes, chess pieces, telephones, mobile phones, coins and Swarovski crystals.

In the series “New York,” “Charlie,” “I Love You Too,” and “Bang Bang,” he advanced his experimentation by incorporating LED lighting, creating new color gradations, depth, and dynamic interaction with space.

In his most recent body of work, Jaman returns to his roots by transforming graffiti art and street culture. Graffiti becomes the background layer, while the foreground narrative — filled with humor and irony — reveals raw human drives such as ambition, greed, and obsession with success. Works such as “Ice Cream Billionaires,” “Flamingo Love,” “Bad Ass Mickey,” and “All the President’s People” are prime examples of this evolution.

In this latest cycle, Jaman further enhances the compositions by introducing fluorescent pigments combined with UV lighting. This gives the graffiti background a 3D character and rich texture, while the colors become vivid, vibrant, and dynamic, making the painting appear almost as a living object within the space.

Jaman’s artworks invite viewers to play, smile, and rediscover the joy of color, while simultaneously encouraging reflection on fundamental human values.

Because of his distinctive aesthetic, his works have become an inspiration in interior design and are part of numerous private collections worldwide.

CANDY QUEEN by Jaman art

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About the product

The painting is divided into several parallel stories. Firstly, there is an admiral standing on a globe. He has travelled the world and now he is coming home to his Queen – bringing candies as a gift. At some point, his suitcase opens and candies start flying all over the painting. The admiral is also holding a balloon with a heart on it and a phrase mind the gap – which symbolizes both caution and love at the same time. In the central part of the painting, there is a tube train. From the text on its wagon and the tube station sign, we can conclude that the train goes straight to Paradise. Though there are many wagons, only one door is open and all of the passengers are trying to get in because they know that the door will close soon and the train will continue its journey to paradise. There is a biblical symbolism here – the scene represents believers’ desire to enter the doors of paradise and, at the same time, their awareness of the fact that these doors are narrow and small. Beyond the tube train, there is a girl on a swing wearing a helmet of a London police officer – she is a symbol of a guardian angel. The background of all the stories is a map of the London Underground. There are also six three-dimensional objects which are an essential part of the composition: a globe, a necklace, gems on the crown, a lollipop, a rope holding the balloon, chains of the swing.

THE PAINTING HAS BEEN PAINTED OVER THE FRAME                 

EXTRA MATERIALS USED TO CREATE THE WORK: a globe, gems on the crown, a lollipop, a rope holding the balloon, chains of the swing.

About the artist

Danijel Jaman (Split, 1975) is a contemporary Croatian artist and the founder of an artistic direction he calls “New Pop Art.” He graduated from the Academy of Arts in Split, where he received the Dean’s Award as one of the most distinguished students of his generation.

His work is recognizable for its strong visual energy, vibrant colors and a distinctive approach to pop art. Key characteristics of Jaman’s style include:

  1. Bold, saturated colors, strong contrasts, and wide chromatic ranges.

  2. Almost all paintings are painted over the frame, creating an additional 3D illusion in space.

  3. The banana motif as the artist's signature — a symbolic self-portrait that introduces humor, irony, and a critical perspective on the main theme of the painting.

Jaman combines traditional painting with real three-dimensional objects, integrating them into the composition. His works include elements such as license plates, vinyl records, paintbrushes, chess pieces, telephones, mobile phones, coins and Swarovski crystals.

In the series “New York,” “Charlie,” “I Love You Too,” and “Bang Bang,” he advanced his experimentation by incorporating LED lighting, creating new color gradations, depth, and dynamic interaction with space.

In his most recent body of work, Jaman returns to his roots by transforming graffiti art and street culture. Graffiti becomes the background layer, while the foreground narrative — filled with humor and irony — reveals raw human drives such as ambition, greed, and obsession with success. Works such as “Ice Cream Billionaires,” “Flamingo Love,” “Bad Ass Mickey,” and “All the President’s People” are prime examples of this evolution.

In this latest cycle, Jaman further enhances the compositions by introducing fluorescent pigments combined with UV lighting. This gives the graffiti background a 3D character and rich texture, while the colors become vivid, vibrant, and dynamic, making the painting appear almost as a living object within the space.

Jaman’s artworks invite viewers to play, smile, and rediscover the joy of color, while simultaneously encouraging reflection on fundamental human values.

Because of his distinctive aesthetic, his works have become an inspiration in interior design and are part of numerous private collections worldwide.

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