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All the President's People by Jaman Art

SEE IN INTERIOR
About the product

All the President’s People – Original Painting

Acrylic & Oil on Canvas, 178 × 85 cm (70.1 × 33.5 in)
Artwork extended and hand-painted onto the frame

All the President’s People is a direct continuation of the story introduced in Ice Cream Billionaires.

In the first painting, the duck and the bear had one dream —
to become billionaires by selling ice cream from their ice cream van — the sooner, the better.

In All the President’s People, we see that they finally made it.
They achieved the success they once only imagined.

But now comes the twist:
success is no longer enough.

The duck wears a crown — a symbol of his new, deeper ambition.
He doesn’t want just wealth.
He wants to rule.
To become a president.
Or perhaps even a king.

Around him lies a chaos of wealth symbols — gold coins, banknotes, and even bitcoins scattered across the scene.
The duck has adorned himself with a luxury watch, a ring, and a thick gold chain, flaunting his newly gained status.
In contrast, the teddy bear receives only the leftovers of that wealth, adding a humorous yet sharp commentary on the unequal distribution of power and success.

At the center of the composition stands the red presidential armchair — a powerful symbol of authority, dominance, status, and ego.

The painting poses a crucial question:

When our dreams finally come true, do we stop wanting —
or do we begin craving something even greater?

Through humor, irony, and the recognizable Jaman Art characters, All the President’s People reveals the illusion of success:
a duck blinded by power and ambition,
and a teddy bear sitting among the ruins of everything they chased.

This original artwork is created with acrylic and oil paints on canvas, measuring 178 × 85 cm (70.1 × 33.5 in).
The painting was first professionally framed, and then the artwork was extended and hand-painted over the frame, making the frame an integral part of the composition and its visual narrative.

About the artist

Danijel Jaman (Split, 1975) is a contemporary Croatian artist and the founder of an artistic direction he calls “New Pop Art.” He graduated from the Academy of Arts in Split, where he received the Dean’s Award as one of the most distinguished students of his generation.

His work is recognizable for its strong visual energy, vibrant colors and a distinctive approach to pop art. Key characteristics of Jaman’s style include:

  1. Bold, saturated colors, strong contrasts, and wide chromatic ranges.

  2. Almost all paintings are painted over the frame, creating an additional 3D illusion in space.

  3. The banana motif as the artist's signature — a symbolic self-portrait that introduces humor, irony, and a critical perspective on the main theme of the painting.

Jaman combines traditional painting with real three-dimensional objects, integrating them into the composition. His works include elements such as license plates, vinyl records, paintbrushes, chess pieces, telephones, mobile phones, coins and Swarovski crystals.

In the series “New York,” “Charlie,” “I Love You Too,” and “Bang Bang,” he advanced his experimentation by incorporating LED lighting, creating new color gradations, depth, and dynamic interaction with space.

In his most recent body of work, Jaman returns to his roots by transforming graffiti art and street culture. Graffiti becomes the background layer, while the foreground narrative — filled with humor and irony — reveals raw human drives such as ambition, greed, and obsession with success. Works such as “Ice Cream Billionaires,” “Flamingo Love,” “Bad Ass Mickey,” and “All the President’s People” are prime examples of this evolution.

In this latest cycle, Jaman further enhances the compositions by introducing fluorescent pigments combined with UV lighting. This gives the graffiti background a 3D character and rich texture, while the colors become vivid, vibrant, and dynamic, making the painting appear almost as a living object within the space.

Jaman’s artworks invite viewers to play, smile, and rediscover the joy of color, while simultaneously encouraging reflection on fundamental human values.

Because of his distinctive aesthetic, his works have become an inspiration in interior design and are part of numerous private collections worldwide.

All the President's People by Jaman Art

SEE IN INTERIOR
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About the product

All the President’s People – Original Painting

Acrylic & Oil on Canvas, 178 × 85 cm (70.1 × 33.5 in)
Artwork extended and hand-painted onto the frame

All the President’s People is a direct continuation of the story introduced in Ice Cream Billionaires.

In the first painting, the duck and the bear had one dream —
to become billionaires by selling ice cream from their ice cream van — the sooner, the better.

In All the President’s People, we see that they finally made it.
They achieved the success they once only imagined.

But now comes the twist:
success is no longer enough.

The duck wears a crown — a symbol of his new, deeper ambition.
He doesn’t want just wealth.
He wants to rule.
To become a president.
Or perhaps even a king.

Around him lies a chaos of wealth symbols — gold coins, banknotes, and even bitcoins scattered across the scene.
The duck has adorned himself with a luxury watch, a ring, and a thick gold chain, flaunting his newly gained status.
In contrast, the teddy bear receives only the leftovers of that wealth, adding a humorous yet sharp commentary on the unequal distribution of power and success.

At the center of the composition stands the red presidential armchair — a powerful symbol of authority, dominance, status, and ego.

The painting poses a crucial question:

When our dreams finally come true, do we stop wanting —
or do we begin craving something even greater?

Through humor, irony, and the recognizable Jaman Art characters, All the President’s People reveals the illusion of success:
a duck blinded by power and ambition,
and a teddy bear sitting among the ruins of everything they chased.

This original artwork is created with acrylic and oil paints on canvas, measuring 178 × 85 cm (70.1 × 33.5 in).
The painting was first professionally framed, and then the artwork was extended and hand-painted over the frame, making the frame an integral part of the composition and its visual narrative.

About the artist

Danijel Jaman (Split, 1975) is a contemporary Croatian artist and the founder of an artistic direction he calls “New Pop Art.” He graduated from the Academy of Arts in Split, where he received the Dean’s Award as one of the most distinguished students of his generation.

His work is recognizable for its strong visual energy, vibrant colors and a distinctive approach to pop art. Key characteristics of Jaman’s style include:

  1. Bold, saturated colors, strong contrasts, and wide chromatic ranges.

  2. Almost all paintings are painted over the frame, creating an additional 3D illusion in space.

  3. The banana motif as the artist's signature — a symbolic self-portrait that introduces humor, irony, and a critical perspective on the main theme of the painting.

Jaman combines traditional painting with real three-dimensional objects, integrating them into the composition. His works include elements such as license plates, vinyl records, paintbrushes, chess pieces, telephones, mobile phones, coins and Swarovski crystals.

In the series “New York,” “Charlie,” “I Love You Too,” and “Bang Bang,” he advanced his experimentation by incorporating LED lighting, creating new color gradations, depth, and dynamic interaction with space.

In his most recent body of work, Jaman returns to his roots by transforming graffiti art and street culture. Graffiti becomes the background layer, while the foreground narrative — filled with humor and irony — reveals raw human drives such as ambition, greed, and obsession with success. Works such as “Ice Cream Billionaires,” “Flamingo Love,” “Bad Ass Mickey,” and “All the President’s People” are prime examples of this evolution.

In this latest cycle, Jaman further enhances the compositions by introducing fluorescent pigments combined with UV lighting. This gives the graffiti background a 3D character and rich texture, while the colors become vivid, vibrant, and dynamic, making the painting appear almost as a living object within the space.

Jaman’s artworks invite viewers to play, smile, and rediscover the joy of color, while simultaneously encouraging reflection on fundamental human values.

Because of his distinctive aesthetic, his works have become an inspiration in interior design and are part of numerous private collections worldwide.

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